One of the more fascinating, as well as disturbing, stories in
Tennessee history is that of Camille Kelley who became Judge of the
Memphis Juvenile Court. A widow, Camille Kelley was a star in the crown
of the Crump machine and when she assumed the bench, she was one of only
two female judges in the South and the first woman to be a judge of the
juvenile court. A plump, matronly woman with a pleasant smile and given
to wearing nice clothes and a flower pinned to her ample bosom, she was
also almost certainly corrupt.
Camille Kelley, one of the most prominent members of the Crump
machine, would go from national recognition to a suspect in one of the
most despicable and lurid scandals in Tennessee history.
Born the daughter of a physician and like many at the time, coy about
her actual age, Camille McGee attended medical school for a couple of
years before she chose to marry a successful attorney, Thomas Fitzgerald
Kelley. Her husband had died by the time she ascended the bench in
1920. Camille Kelley was not a lawyer, but she seemed like a good choice
to serve as Judge of the Juvenile Court, at least to Edward Hull Crump,
master of the Memphis political machine. Crump and his political ally,
Senator Kenneth D. McKellar, were strongly in favor of rights for women,
which meant the entire machine favored increased rights for women.
Crump and especially McKellar worked hard to give women the right to
vote in Tennessee.
It was just after Tennessee ratified the Nineteenth Amendment to the
Constitution that Camille Kelley became Judge of the Shelby County
Family Court. It allowed the Crump machine to appear progressive and
compared to most political organizations, especially in the South, it
was. The Memphis Boss had cobbled together virtually every aspect of
Memphis’s social life to comprise his political machine. Business,
labor, public employees all played important roles in the machine, which
extended to the PTA and beyond. Several high ranking members of the
Crump machine were Jewish, notably Will Gerber and Abe Waldauer; Crump
even encouraged African-Americans to vote, a fact which frequently
outraged the machine’s opponents. As judge of the Family Court, Camille
Kelley was not only a demonstration the machine was progressive, but
believed in the ability of women to serve in office. Judge Kelley
herself commented that women really belonged in the home rather than
elective office, but she remained on the bench for thirty years and only
resigned when details of a sordid public scandal began to emerge.
As one of the few women in America to serve as a judge, Camille
Kelley attracted national attention. Kelley delighted in sharing her
opinions about child rearing and just about everything else, which were
usually in the form of homilies. Never wearing a robe into her
courtroom, Judge Kelley explained, “Robes would scare the children to
death.” Kelley went on to explain the corsage pinned to her breast:
“They’re not so timid when they see that I am wearing a flower.”
Eventually, Judge Kelley would publish three books chock full of her
opinions, witticisms, and advice. The first, “A Friend In Court,” was
published in 1942. Five years later, the judge penned “Delinquent
Angels,” followed by Kelleygrams in 1949.
Kelley’s grandmotherly appearance, despite her love of fine clothes,
furs and flowers, made her seem anything but threatening. Despite her
lack of formal education, Judge Kelley was clever in her understanding
of public relations. Following her original appointment to the bench,
Camille Kelley was routinely elected by the people of Shelby County on
the Crump ticket. Unlike some of her ticket-mates, Kelley was so
popular, she rarely ever had opposition.
Jennifer Ann Trost has written an interesting book, “Gateway to
Justice: The Juvenile Court and Progressive Child Welfare In A Southern
City,” which contains much information about Camille Kelley.
Ms. Trost points out the Shelby County Family Court “cannot be
understood without examining the life and ideas of its chief judge,
Camille Kelley. So much of what the juvenile court was and subsequently
became was defined by her philosophy and personality.”
As Ms. Trost points out, Camille Kelley was quite contradictory about
her own role, as well as that of other women in public life. Kelley
opined, “No woman should enter public life if it makes her less a woman,
for there is no height to which she may climb equal to real home making
or wifehood or motherhood.” Yet Judge Kelley acknowledged the need of
many families for two incomes and she staunchly defended the right of
women to work outside the home, but Kelley also excoriated many working
mothers for neglecting their responsibilities at home.
“A mother in the home is of greater value to a child than money in the bank,” was Judge Kelley’s lofty opinion.
Apparently Camille Kelley had fixed opinions about most everything
and never doubted her own wisdom. Kelley believed girls were more
difficult than boys and one Memphis newspaper told its readers, “Nor
does a boy have to be a ‘sissy boy’ to be a good boy – – – in fact Judge
Kelley doesn’t care for ‘sissy boys’. She likes boys who are manly,
boys who are ‘reg’ler fellers’.”
Although some black youngsters complained of harsh treatment while in
the custody of the Shelby County Family Court, Ms. Trost notes Judge
Kelley did not attempt to mete out different or harsher punishments to
African-American children than she did to white youngsters. In fact,
Camille Kelley apparently sought to better conditions for
African-American children. Ms. Trost writes, “For her, the condition of
childhood necessitated protecting black children as well as white
children.”
Judge Kelley believed “love is the modern way to educate children”
and frowned upon parents spanking children, declaring it to be not “the
scientific, advanced method” of discipline in the home. To say the
least, that was quite a progressive view at the time.
Being one of the very few female judges in the country, Camille
Kelley drew considerable attention not only in Memphis, but nationally.
Judge Kelley was the recipient of several national awards and was
regularly invited to appear on radio and television programs. By the
time she resigned in 1950, Camille Kelley’s service on the bench was
fodder for a Hollywood production company which intended to produce both
a movie and a television series about her work.
Although certainly a member of the Crump machine, the Memphis Boss
was content to let Kelley rule her own domain. Kelley herself boasted
her court was untouched by politics. Judge Kelley
condescendingly stated
she did not participate in the sordid political arena, opining that
women should not “supplant the men in public jobs they have held for
hundreds of years. Women are capable, of course,” she added, “but we
can’t spare them. We need them to concentrate on child welfare and
education, work we are inherently better fitted to do than men.”
When she was finally forced out of office, Judge Kelley told the
mayor, “No political interference has ever touched the inside of my
courtroom, so help me God.” That was not entirely true.
As Jennifer Trost describes in her book, one of Judge Kelley’s
trusted aides was fired at the insistence of one of Memphis’s City
Commissioners. The public perception of Judge Camille Kelley was such
that local newspapers roared their collective fury at the offending City
Commissioner with blaring headlines demanding “Hands Off Judge Kelley’s
Court” and “Free the Juvenile Court of Interference.”
The official fired from the court was Beulah Wood Fite who was the
chief probation officer for the Shelby County Family Court. The working
relationship between Judge Kelley and Ms. Fite was apparently quite
close, as after Kelley was widowed, Ms. Fite moved into the judge’s
home. Another employee from the juvenile court, one Altye Barbour, who
presided over the mental exams given the children, also moved into Judge
Kelley’s home.
Fite was evidently well liked by many of the children whom she
encountered in the course of her professional life and was generally
referred to as “Mamma”. Unfortunately for Ms. Fite, she was less well
liked by some of the adults she worked with. Ms. Fite was not above
chastising anyone she believed to have made a mistake, which extended to
other officials. Described as having a “brusque” personality and
regularly scolding parents whom she felt had done less than a stellar
job with their children, Ms. Fite’s forceful personality caused her to
run afoul of the City Commissioner who demanded she be fired. A serious
flood in 1937 caused the Memphis Red Cross to request children in the
custody of the juvenile court to be moved to a location it considered
safer. Ms. Fite arbitrarily rejected the request, which caused the City
Commissioner to demand the Juvenile Court Advisory Board to dismiss her
immediately.
Jennifer Trost writes that “Kelley was strangely silent about losing
one of the best-qualified members of her court.” Yet there is an
explanation for Judge Kelley’s silence. It is difficult to imagine any
member of the City Commission to have demanded Ms. Fite’s resignation
without the express consent of Mr. Crump. Memphis and Shelby County was
E. H. Crump’s domain and it is not hard to believe the Memphis Boss
would have been less than amused by a minor official haughtily rejecting
a request by the Red Cross. Had Crump sanctioned Ms. Fite’s dismissal,
Judge Kelley would have had nothing to say about it, realizing to cross
the Memphis Boss would imperil her own continued tenure at the court.
Camille Kelley was too experienced and too shrewd to think she could
countermand an order from Boss Crump.
Written By: Ray Hill
Source: knoxfocus.com